Andrews relocates the opera from 1830s Paris to an unspecified big city, somewhere in Europe or the US, in the 1990s. The Bohemians inhabit a run-down loft and, with the exception of Nicholas
Spring may have sprung a bit later this year because of the colder winter, but the New Orleans Opera Association contracts an early dose of spring fever this weekend withLuciano Pavarotti, alongside his father Fernando Pavarotti, stars in this outstanding production of Puccini's opera, accompanied by the Genoa Opera Company,
It is, once again, an ensemble show. But it owes its emotional punch to the orchestra and conductor Mark Elder, who are the real stars. Boyish bravado, tenderness, urgency, tragedy – they skip
Henri Murger's series of vignettes concerning four Paris bohemians (Marcel, Rodolphe, Colline and Schaunard) is the basis for Puccini's "La Boheme" and, subsequently, Jonathan Larson's "Rent." The book combines pathos and unexpected good humor to show the difficulties of artistic life in 19th C. Paris.
What good opera directors should do . Audience members who want a traditional La Bohème can head to New York City, where Yannick Nézet-Séguin is currently conducting a revival of the classic Franco Zeffirelli production at the Met, or the Washington, where a similarly faithful interpretation is set to open at the Kennedy Center next week
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